Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Kramer, Richard A.: The 'New' Concept of Modulation in the 1770s and 1780s: C.P.E. Bach in Theory, Criticism, and Practice. [p]AMS_Denver (Nov 1980) A paper read at the CMS / AMS / SMT Denver Annual Meetings, November 6-9, 1980. | |
| 2. | Kramer, Richard A.: The new modulation of the 1770s: C.P.E. Bach in theory, criticism, and practice. JAMSoc 38/3 (Autumn 1985), 551-592. | |
| 3. | Kramer, Richard A.: 'Gradus ad Parnassum': Beethoven, Schubert, and the Romance of Counterpoint. 19cM 11/2 (Autumn 1987), 107-120. | |
| 4. | Kramer, Richard A.: Lisch aus, mein Licht: Song, fugue, and the symptoms of a late style. BeethovenForum 7 (1999), 67-87. [BWV 869] | |
| 5. | Kramer, Richard A.: Beethovens Opus 90 und die Fenster zur Vergangenheit. VeröffBeethovenHausBonn 4/16 (2002), 93-119. trans. Sigrun Heinzelmann. | |
| 6. | Kramer, Richard A.: Carl Philipp Emanuel Bach and the Aesthetics of Patricide. EastmanStudM 28 (2004), 121-142. Chapter 6. | |
| 7. | Kramer, Richard A.: Diderot's Paradoxe and C. P. E. Bach's Empfindungen. [ce]CPEBachStud (2006), 6-24. | |
| 8. | Kramer, Richard A.: Unfinished music. New York: Oxford University Press, 2008. xiii, 405p. ISBN: 978-0-19-532682-6. [Enth. u.a.: Emanuel Bach and the allure of the irrational] | |